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"We went with four rolls of Kodak 250D and one leftover 500T roll to Namibia to shoot the One Shot dance sequence. We only had five tries to nail it which put a lot of pressure on the whole team. So we prepared and rehearsed as much as possible in advance to make every take count. In the evening we got two perfect takes just before and after the sun set. ⠀ Director of Photography Felix Striegel and I chose to shoot on Kodak 35mm stock because of how well it handles the bright conditions in the desert and the texture it gives to the image. Shooting spherical 4 Perf was an aesthetic and technical decision to get close to the dancer without loosing the high dunes in the background. ⠀ NEW music film today for @Abbott.officials song ”Drang” directed by @t_paul and shot on 35mm by DP Felix Striegel. ⠀ Crew: Director: @t_paul DoP & Steadicam: Felix Striegel EP: @simonfessler, @t_paul Prod. Co.: @simonundpaul Producer: @sterlydigga Dancer: @zarahernst Choreographer: Javier Báez 1. AC: @simon_mauritio 2. AC: @felix810 Gaffer: Dennis Bünsow Styling: @ausgezeichneter_stoff Make Up: @pia_makeupartist Service Production: Lemon Reel Editor: @jorniporni Colorist: @bernie_greiner_senior_colorist VFX Clean Up: @eleven_post Lab: @focusfilmlab Rental: @hawkanamorphic ⠀ Watch: vimeo.com/417550806 ⠀ #ShotOnFilm #35mm
NEW @soyfurzai fashion film DREAMS directed by @los.mumu and shot by DPs @sebastian.cantillo and @santicantillo. Shot in Super 16mm- processed and scanned at the #KodakFilmLabAtlanta. ⠀ Directed: @los.mumu DoP: @sebastian.cantillo @santicantillo Starring: @lacalurivero @wirandajohansen @wende_wen Creative Director: @rocio.usuario Produced: @agusfnz @agusvl @esquilevielle @sangusmartin @lulameliche Gaffer: @nahuelszeliga_ Art: Romina @romina_santorsola Steadicam: @mayeroyer Sound Design: @portaestudio.tv Colour: @alejandralescano_colorist VFX: @m.olivaripost Choreography: @margaritamolfino Thanks: @rebolucion_ Processed & Scan: #kodakfilmlabatlanta ⠀ Watch: https://vimeo.com/401236362 ⠀ #ShotOnFilm #16mm
Revisiting @justinbiebers music video for YUMMY - directed by @bardiazeinali and shot by @bennncareyyy using 3-perf 35mm on Kodak 5219. To watch, check out our On Film: Music playlist at youtube.com/kodak ⠀ CREW: Director: @bardiazeinali DOP: @bennncareyyy Producer: @roisinaudrey PM: @dgphotographs Production: @doomsdayent 1st AD: @jasonmarklombardo 2nd AD: @khy_law 2nd 2nd: @chrismenown Movement coach: @nathanmitchell_ Steadicam: @chrislohsoc 1st AC: @okayriley @dan.muchnik 2nd AC: @jenroh @bobbypavlovsky Gaffer: Bobby Wotherspoon Key Grip: @sodapopfranchot Production Designer: @brasstaks_ Art Director: @matttoph Set Decorator: @sofiamidon Leadman: Ed Lee Food Stylists: @jelloandcasseroles @mayabookbinder Choreography: @nickdemoura Movement: @nathanmitchell_ JB Glam: @florido JB Styling: @karlawelchstylist Cast Styling: @gadirrajab Cast Hair: @lucas.a.wilson Cast Make-up: @adamburrell Cast Nails: @hollyfalconenails Casting: @kasia BG Casting: @dustinblackburn80 BG Glam: @cheriecombs Camera: @camtec_official Film Processing: @fotokem @kodak_shootfilm Plate & titles design: @bradleypinkerton Edited by: @willhtown @instagrahamsam Color: @timmasick @company3 VFX: @wuziks ⠀ #ShotOnFilm #35mm
"Airwaves is a poem dedicated to our unwavering desire for connection which is echoed in this time of uncertainty and isolation. We all live within an invisible network of voices riding our airwaves carrying messages of love, disappointment and desire. The film is a physical manifestation and a catalog of those desires in memories revisited, lonely realities, missed calls and an optimistic future of relationships resurrected. It is irrefutable evidence of our longing for connection. It is simultaneously a lifeline and an undeniable reminder of physical distance." ⠀ Director @hamforsam and DP @madeline.kate.kann shot "Airwaves" just before the pandemic, at which point its themes became more relevant than ever. The film premiers today on @filmshortage. ⠀ Director: @hamforsam @_stoneshannon Cinematographer: @madeline.kate.kann Producer: @clarissamorales Colorist: @parkerjarvie @company_3 Gaffer: @damnhumble Scans by: @thom_kuo ⠀ Watch: https://filmshortage.com/dailyshortpicks/airwaves/ ⠀ #ShotOnFilm #16mm
NEW spot on 16mm for @folkclothing directed by @josh.hmr and shot by @imtheshit. Watch it on @vimeo at https://vimeo.com/389237925 ⠀ CREW: Director: @josh.hmr DP: @imtheshit Editor: @josh.hmr Colourist: @danmorancolour Creative Agency: @jjmarshallassociates Processed #KodakFilmLabLDN ⠀ #ShotOnFilm #16mm
"There was an effortless quality about early MTV performance videos that felt kinetic and alive. Conceptually I wanted to try and capture a similar energy with this video for Inhaler where the focus would be entirely on the band and their performance. Cinematographer @joelhoneywell and I felt that by shooting 16mm film and pushing the processing, the image would feel much more in the spirit of those classic videos we were trying to channel." ⠀ Director @davidmhelman on shooting @inhalerdublins video, We Have To Move On," on Super 16mm. ⠀ CREW: Band - @inhalerdublin Director: @davidmhelman Producer: @francescawillcock EP: @nath_Kode & @jack_kode Production Co.: @kodemedia Directors Rep: @clairelouisedarling DP: @joelhoneywell Art Director: @zedk Gaffer: Chris Dowling Key Grip: Simon Ward 1st AC: @umpaqueen 2nd AC: @kairojones Editor: @paul_oreilly_edit @stitchediting Color: @kaitlynbattistelli @ethos_studio ⠀ Watch: https://vimeo.com/405246629 ⠀ #ShotOnFilm #16mm
"Analog comes from the greek word “Ana-legein”: legein means to think and ana means up. “Above thinking”, to think over things, passing the common conception of reality. That’s why we don’t want to leave the analog world. It’s not because it’s better or worse, higher or lower quality. I think it’s because it helps us think and live above the usual understanding of our digital world- the way of being that we became so quickly accustomed to. That’s why I shoot film and listen to vinyl. This project was shot on film, printed on film, projected with a 16mm projector and we were therefore able to burn it. We burnt film, we burnt our reality." ⠀ DP @andgavazzi on shooting 16mm for the @vimeo Staff Pick, Arcanum by the band @showmethebody. ⠀ CREW:⠀ DIRECTOR @landonyost DOP @andgavazzi EXEC PROD @ashaefia PRODUCER @sfogliatellecypher EDITOR @thekidmatt COLORIST @eliascolors AT @mill_ny ⠀ Watch: https://vimeo.com/399239238 ⠀ #ShotOnFilm #16mm
Formless was written, directed and shot by @carastricker. This film was made from quarantine in partnership with @sheltershorts for the #sheltershorts challenge to support @wckitchen COVID-19 food relief efforts. Music written by @carastricker and the full album ‘Formless- Mediatations in Music’ is available on @spotify. ⠀ CREW: Direction and Cinematography - @carastricker Featuring: @nadialeelee @ajvni @seanfrank_ Colour: @seantelecine @Company_3 Special Thanks: @spectrafilm Released on @terriblerecords ⠀ Watch the full video: https://vimeo.com/412786159 ⠀ #ShotOnFilm #super8
NEW music film today for @katyperry latest song "Daisies," directed and shot by @globaliza . Watch the music video in our On Film: Music playlist at youtube.com/kodak. ⠀ "Katy called me a few weeks ago at the height of the global pandemic and asked me if I would feel comfortable meeting her 6 feet away in nature to shoot her music video. I said yes. Her next question was if I could shoot it on film. I said hell yes. ⠀ Since we had to be socially distant and could not have anyone else on set, Super 8 was perfect for me. I armed myself with two restored cameras - a Beaulieu 4008 with a beautiful Angenieux lens for my main shots and a Canon 310XL for when I had to be quick - and a range of film stock for changing light conditions on an overcast afternoon. ⠀ While listening to the song on repeat before the shoot, I kept thinking of Saint Cecilia, the patron saint of musicians, and her depiction in Renaissance paintings as luminous and otherworldly. So I mostly used 250D film stock on locations with a little light peaking through shadows. ⠀ Film is honest and magical at the same time. The color and quality in the final cut is straight from the camera and the scan - I didn’t do anything to it in post. 8mm film is not perfect, but it’s sincere, and I love the color and joy that it brings. And joy really is my favorite emotion to share." ⠀ Director: @globaliza Production: @lizavoloshinfilm Scanning: @pro8mm ⠀ #ShotOnFilm #Super8
"For season 3, the show takes place in Los Angeles 2058. It demanded a new vision while maintaining the classic cinematography from previous seasons. 5203 is one of the most perfect film stocks ever made that is virtually without any grain; the color rendering of skin tones and the contrast is absolutely gorgeous." ⠀ Cinematographer @paulcameron_dp on his use of film in @hbo ‘s third season of Westworld. Read the full #inCamera article at kodak.com/go/incamera. ⠀ #ShotOnFilm #35mm
"The concept for Last Money was to have Sam in television and film scenes that were informative to him in regards to money. To pull off this look we chose to shoot Kodak 35mm 4-Perf in a variety of different aspect ratios to nod to the shows he was referencing. These shows were all shot on film in their day, so it was natural to choose film, but we wanted to do so in a modern way to give us a more updated look to each scene. The colors that were rendered scene by scene were outstanding and really gave us the ability to try different things in each set-up." ⠀ Director @keenanwetzel on using 35mm with DP @packdrawn for @samaustins new single ‘Last Money’. Watch the music video in our On Film: Music playlist at youtube.com/kodak ⠀ CREW: Director: @keenanwetzel DP: @packdrawn Producer: @clathz Production Company: @eightfoldcollective Editor: @shanepford Colorist: Patrick Sexton BTS: @midwestcowboy ⠀ #ShotOnFilm #35mm
"The Charge poetically explores the notion of isolation and containment, and the need of expression that burns within us all. No matter how far we are pushed there is always a human compulsion to join together and break free, themes that may be more relevant now than ever before. ⠀ Very early on in pre-production we felt very passionate about shooting the project on film. I wanted to create something measured and considered but with a very emotive feel. Shooting on film seemed like a no brainer. Getting a chance to exercise our minds eye and translate that to the negative is often a challenge but always a rewarding one." ⠀ The Charge is a passion project of writer and director @lesterjones.co. Shot on 16mm film by DP @campbellbrown_dp ⠀ CREW: WRITER & DIRECTOR: @lesterjones.co DOP: @campbellbrown_dp PRODUCER: @benflaxman EDITOR: @lucasvazquez COLOURIST: @fergusrotherham with thanks to @the_editors65 COMPOSER: @ryanmichaelwalsh SOUND MIX: @georgiamaycol_ MUSIC & SOUND DESIGN: @electricsheepmusic 1st AC: @janihakli 2nd AC: @charlieslessar @luketysoe STEADICAM: @besservisuals GAFFER: @focus_film_lighting BEST BOYS, BTS photo credit: @nicholasgascoine GRIP: @moosegrips RICKSHAW OPERATORS: @tombroooks_ PRODUCTION MGR: @leilani0910 ART DIRECTOR: @hammergoblin ART ASSIST: @coenhorwood MAKEUP: @vicanderson @cherrycheungmakeup MALE #1: @guro033 MALE #2: @thabani_mpofu NARRATOR: @aidenhw ⠀ #ShotOnFilm #16mm
"@HBO’s miniseries I Know This Much Is True spans most of the 20th century, and film is the only format that feels honest to that entire time period. The texture, the unpredictability and the humanity of emulation made the look of the show." ⠀ Cinematographer @jody_lee_lipes on why film was right for I Know This Much Is True. Written and directed by Derek Cianfrance. Available now on @hbo. ⠀ #ShotOnFilm #35mm
"The story of Ayuuk begins at the central market in Oaxaca City, Mexico. Amongst the myriad of spices, chocolate, coffee and produce, we were taken by the depth of flavor of one particular chili. Naturally, we cleared out all 20 kilograms of stock, brought it back to Copenhagen and distilled the first Pasilla Mixe spirit. ⠀ Pasilla Mixe is a special, smoke-dried chili grown at 2,700 meters above sea level by the Mixe people — known in their native language as Ayuuk. Once fully ripened, the chilis are partially dried on the plant, and finished on wicker racks over gnarled hardwood smoke. The true Pasilla Mixe possesses a twilight, dark red fruitiness and a unique earthiness that reflects the rugged terroir in which it grows. ⠀ Our search for more chilis led us to the Sierra Norte mountains where the Mixe people have maintained their traditional way of life and language for centuries. Here, the Pasilla Mixe is integral to their communal identity although its labor-intensive cultivation has gradually diminished. We’re partnering directly with these farmers to support the longevity of this time-honored tradition — Ayuuk is only the beginning." ⠀ ‘Ayuuk’ is a documentary shot, directed and edited by @arthurcouvat . Watch the documentary on @vimeo at https://vimeo.com/375649274 ⠀ CREW: Director: @arthurcouvat DP: @arthurcouvat Editor: @arthurcouvat Sound design : Alex Nicholls-Lee at @wavestudiosny Processed at #KodakFilmLDN ⠀ #ShotOnFilm #16mm
"I think film, and 16mm film in particular, was a brilliant choice for this production. The texture you get from the grain makes the picture come alive, which makes it really engaging to watch, whatever the screen. Also, film production motivates everyone to do their best, especially the actors, and I think you can see the musicians vibed-off on the fact that we were shooting on film." ⠀ DP Eric Gautier, AFC on shooting Damien Chazelles The Eddy on 16mm film. Watch the limited series starting today on @netflix. Read the full #inCamera article at kodak.com/go/incamera. ⠀ #ShotOnFilm #16mm
Candela by @LosPetitFellas, directed by @paloma.valencialnd and shot on 16mm by DP @camo_ossa is an Official Selection for the 2020 London Music Video Festival. Crew: Director: @paloma.valencialnd DP: @camo_ossa Production Company: @Riceballfilms Producer: @jsjaimes87 Production Design: @saramillanr Associate Producer: @vsnyfilms AD: @unconventionalife 1 AC: @brian_bon 2 AC/Loader: @spenson Camera Assistant: @alejagarciavalencia G&E: @b3nnyblanc0 Edit: @tcho28COLOR: @parkerjarvie @company_3 VFX: @steveamc HMU: @labloiseart Production Support: @ccrm87 Watch the music video in our On Film: Music playlist at youtube.com/kodak #ShotOnFilm #16mm
"I started off in film and then hadnt shot film in about nine years before I did this movie. I got so used to shooting digital. Right away you see it. Its undeniable that digital cannot replicate skin tones the way that film does. Theres something about the depth of color, contrast and the three-dimensionality of the grain." ⠀ DP @lylevincent about shooting @hbo ‘s Bad Education on film. Read the full #Incamera conversation at kodak.com/go/incamera. ⠀ #ShotOnFilm #35mm
Directors Cut of A.CHALs Pink Dust out now, directed by @_rubberband and shot by DP @packdrawn on 3 + 4 perf 35mm. Described as a strange labor of love about a guy trying to get home from another planet. ⠀ Crew: Directed by @_rubberband Animation Lead @james_siewert_artwork Cinematography @packdrawn Produced by @luigirossi.tv Executive produced by @elizabethdoonan Production company @smugglersite Production Designer @rtylerevans Wardrobe @dianne HMU @roundtheworld Editor @dylanj_edwards Color @aubreycolor Sound design @rphljls VFX @edza ⠀ Watch: https://vimeo.com/410641919 ⠀ #ShotOnFilm #35mm